Poems encourage our belief, argues James Longenbach during this bracing paintings, simply because they do not inevitably ask to be depended on. Theirs is the language of self-questioning--metaphors that flip opposed to themselves, syntax that strikes a technique since it threatens to maneuver one other. Poems withstand themselves extra strenuously than they're resisted through the cultures receiving them.
But the resistance to poetry is sort of in particular the sweetness of poetry. contemplating a wide range of poets, from Virgil and Milton to Dickinson and Glück, Longenbach means that poems show wisdom merely inasmuch as they do not want to be automobiles for the effective transmission of information. in truth, this self-resistance is the resource of the reader's excitement: we learn poetry to not break out trouble yet to embody it.
An astute author and critic of poems, Longenbach makes his case via a sustained engagement with the language of poetry. each one bankruptcy brings a clean viewpoint to a very important element of poetry (line, syntax, figurative language, voice, disjunction) and indicates that the facility of poetry relies much less on that means than at the manner within which it means--on the temporal method we negotiate within the act of studying or writing a poem. Readers and writers who include that method, Longenbach asserts, necessarily flinch from the exaggeration of the cultural energy of poetry in complete understanding that to inflate a poem's declare on our recognition is to weaken it.
A sleek and expert learn, The Resistance to Poetry honors poetry by way of permitting it to be what it's. This publication arrives at a serious moment--at a time whilst many of us are attempting to mildew and industry poetry into anything it really is not.