By Earl Miner
Dryden outlined himself as a author relating to different writers, and in doing so was once anything of a pioneer expert guy of letters. This booklet seems to be at Dryden's literary relationships with Ben Jonson and with French authors (notably Corneille); at concerns raised by means of the paintings considered his maximum through Romantic and modern readers, Fables historical and sleek; and at Samuel Johnson's lifetime of Dryden. This booklet has implications for questions of literary reception, effect and intertextuality, in addition to for the acceptance and context of Dryden himself.