By Kristen Guest, Molson Professor of English Language and Literature Maggie Kilgour
Linking cannibalism to problems with distinction an important to modern literary feedback and thought, the essays integrated right here hide fabric from various contexts and ancient classes and procedure their topics from various severe views. besides such canonical works because the Odyssey, The Faerie Queene, and Robinson Crusoe, the individuals additionally talk about lesser identified works, together with a model of the Victorian melodrama Sweeny Todd, in addition to modern postcolonial and postmodern novels by way of Margaret Atwood and Ian Wedde. Taken jointly, those essays re-theorize the connection among cannibalism and cultural identification, making cannibalism significant inside of new severe and cultural horizons.
Contributors comprise Mark Buchan, Santiago Colas, Marlene Goldman, Brian Greenspan, Kristen visitor, Minaz Jooma, Robert Viking O'Brien, Geoffrey Sanborn, and Julia M. Wright.
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Additional info for Eating Their Words: Cannibalism and the Boundaries of Cultural Identity
The Cyclops is pulled back from his refusal of (the language of ) society, and now must face his mortality. But more, the acceptance of his mortal status goes hand in hand with the emergence of the realm which makes him part of a system which extends beyond his mortal existence: language. 28 But what is particularly striking is that Odysseus’s warning to Polyphemus after the loss of his eye (the taunt which affirms that his lost eye cannot be recovered, and thus heralds his entrance to the social) recalls a warning made by Odysseus to Achilles in the ninth book of The Iliad: Up, then!
There have been many such efforts. Some of the more influential include the following set of distinctions: The Odyssey as an “imaginary” poem of fantasy and self-construction, The Iliad as the “realistic” poem of war and violence. ” I hope, at least, to have gone some way in demonstrating the inadequacy of such separations. 32. See the analysis of Thomas MacCary, Achilles: Childlike Achilles: Ontogeny and Phylogeny in the Iliad. (Baltimore: Johns Hopkins UP, 1982) This page intentionally left blank.
1–4: Sing, goddess, the anger of Peleus’ son Achilleus and its devastation, which put pains thousandfold upon the Achaians, hurled in their multitudes to the house of Hades strong souls . . 4. ). In both cases, cannibalism is only imagined, while the latter incident suggests that the possibility of cannibalism as satisfaction for human fury remains in place after (and indeed because of) Achilles’ refusal to eat Hector. 5. The solution of the vast majority of Homer critics who choose to identify with the horror at cannibalism.