By Joint ACI-ASCE Comm 421
In the course of an earthquake, the unbalanced moments transferred at flat plate-column connections can produce major shear stresses that elevate the vulnerability of those connections to brittle punching shear failure. This consultant offers strategies for designing flat plate-column connections with adequate ductility to resist lateral flow with out punching shear failure or lack of second move skill. This advisor treats strengthened concrete flat plates without or with post-tensioning.
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Some selected examples contained within the exhibition in the box that focus on our interaction with technology include the following. Fig. 3. ‘Exhibition in a box’ Fig. 4. Biscuit Buddy Engagingdesign – Methods for Collective Creativity 29 ‘It’s not that I am not able to learn to use new technology, at my age I just can’t be bothered to learn to use yet another thing’. Biscuit buddy (Chamberlain, Bowen) (Fig. 4) embeds communication technology in an everyday object, a biscuit tin, and ritual, tea-time.
Nadin [11], Andersen [2], and De Souza [13]. In our paper, we take their contribution to M. ): Human-Computer Interaction, Part I, HCII 2013, LNCS 8004, pp. 13–21, 2013. © Springer-Verlag Berlin Heidelberg 2013 14 J. Brejcha and A. Marcus build a set of semiotic heuristics that we then used to evaluate a complex UI example. We present a semiotic evaluation method and report the results of our in-depth investigation. 2 Semiotic Foundation Our view is based on the assumption that HCI takes place between different actors (users, systems, designers) in a setting or paradigm.
1) as an ongoing research-led practice about the design of HCI with BCI is constituted by the concentration between human and computer as collaborators. The brain-computer collaborative action changes the car’s velocity; it can improve the attention state; when the collaboration between human and computer gets stronger, the concentration level goes higher. In Racing Car Game, brainwave is the key measure. It represents the concentration as the degree of 2 3 The concept of collaborative action was first presented in HyunKyoung Cho and Joonsung Yoon, “Performative Art: The Politics of Doubleness,” Leonardo, 42:3 (New York: The MIT Press, 2009), pp.