By Meister Eckhart
Les Sermons parisiens ont été rédigés par Maître Eckhart entre 1311 et 1313 durant son moment magistère à l. a. Faculté de théologie de l'Université de Paris. Ecrits en latin dans un kind qui est celui des grands sermons universitaires de cette période, ils expriment déjà los angeles plupart de ses thèmes mystiques favoris tels que l'Incarnation du Verbe, le détachement de l'âme et l. a. filiation divine. En articulant los angeles pensée chrétienne et los angeles philosophie grecque ou, pour reprendre les termes d'Eckhart, en s'efforçant " d'expliquer par les raisons naturelles des philosophes les affirmations de los angeles sainte foi chrétienne et de l'Ecriture dans les deux Testaments", ces Sermons, traduits pour l. a. première lois en français par Eric Mangin, constituent le fruit de sa réflexion théologique et le précieux témoignage de ce que fut l'enseignement universitaire au début du XIVe siècle.
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Extra resources for La mesure de l'amour : Sermons parisiens
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Lanczkowski, Johanna, Dinzelbacher, Peter, Frauenmystik: Wörterbuch 175–179, 533. Unauthenticated Download Date | 6/5/16 3:00 PM 24 Die historische Entwicklung in Europa einer bestimmt wohlhabenden, vielleicht adeligen Familie“13. Nördlich der Alpen trifft ein Gleiches für die Mystiker beiderlei Geschlechts im 14. und 15. Jahrhundert zu: Sie waren fast durchgehend vom städtischen Leben geformte Menschen; manche, wie Geert Grote, Sohn eines patrizischen Tuchhändlers, oder der Kaufmann Rulman Merswin oder die Bierbrauerin Margery Kempe hatten auch eine ganz ‚normale‘ berufliche Tätigkeit ausgeübt.
Der Abt sitzt mit gefalteten Pergamentbögen auf dem Schoß und spitzt seine Schreibfeder (München, Bayerische Staatsbibliothek clm 14355) Unauthenticated Download Date | 6/5/16 3:02 PM Frühe Mystik im Benediktinerorden 39 wie Otloh von St. Emmeram), so konservativ war er vielfach in seinen gelehrten Werken, stand auch der damals modernen zisterziensischen Spiritualität fern. a. mit fortschrittlichen Theologen scholastischer Bildung wie Willhelm von Champeaux und Anselm von Laon, aber auch spirituellen Autoren wie Wilhelm von St.
Das Trudperter Hohelied greift auch eine Reihe anderer Motive der mystischen Tradition auf, z. B. das der Selbstfindung, oder jene berühmte neuplatonische Metapher von der Seele, die „wie Wachs“ „verflüssigt“ durch die Hitze des Heiligen Geistes, in ihren göttlichen Ursprung zurückfließt. In der Versenkung ist Ruhe, Ruhe in einer Ablehnung jedes Tuns, die schon auf den Quietismus vorzuweisen scheint, und Verstehen der Weisheit des Erhabenen, nach der die gläubige Seele lechzt und zerfließt. Sie flieht jede Art von Schmerzen und jede Art von Lastern und Begierden; sie flieht auch gute Arbeiten, gute Werke, selbst sogar das Gebet!