By M. Christine Boyer
On his French identification card, mythical architect Le Corbusier indexed his occupation as "Homme de Lettres" (Man of Letters). Celebrated for his structure, which numbers fewer than sixty constructions, Le Corbusier additionally wrote greater than fifty books, hundreds of thousands of articles, and millions of letters. Le Corbusier, Homme de Lettres is the 1st in-depth learn of Le Corbusier as a author in addition to an architect. that includes greater than 200 archival pictures from Le Corbusier's lifestyles and paintings, this groundbreaking publication examines his many writing initiatives from 1907 to 1947, in addition to his letters written to 2 mentors: Charles L'Eplattenier and William Ritter.
In Le Corbusier, Homme de Lettres writer M. Christine Boyer makes a speciality of the improvement of his writing sort because it morphed from romantic prose to aphorisms and telegraphic announcements. for every of his books, Le Corbusier used to be meticulous in regards to the layout of the web page structure, the shape of the kind, the influence of the guidelines, or even the promotional fabric. As a guy of letters, Le Corbusier anticipated to give a contribution to the cultural surroundings of the 20 th century.
Le Corbusier, Homme deLettres indicates for the 1st time how his voluminous outputbooks, diaries, letters, sketchbooks, commute notebooks, lecture transcriptions, exposition catalogs, magazine articlesreflects not only a compulsion to write down, yet a keenness for advancing his principles in regards to the dating among structure, urbanism, and society in a brand new laptop age.
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Extra info for Le Corbusier, Homme de Lettres
Sample text
Besides, he admits, the subject matter itself would be difficult, since he has no head for mathematics. He was thus left to educate himself, but in what manner? School was not feasible. Nor was he eager to stay in Vienna for the four or five years required to learn a language and complete a degree. Perhaps he could train by working in an architectural office. But, he admits, he would constantly be finding fault with the ideas of his boss, presumably a member of the German movement. There was only one option: self-education through sheer attentiveness.
Calling Florence a perfect city (une ville trop complète), he admits he sees it as a tourist, not as a specialist. ”10 It is a problem of categorization, for the Palazzo does not fit any model he knows. 11 One afternoon he visits a nearby monastery that he calls la Chartreuse d’Ema: “I would like to live all my life in what they call their cells. ”12 [F i g u r e 2 . 2 ] But he returns to study the 54 S earc h i n g f o r a M eth o d (1907–1912) Palazzo Vecchio—the small fountain, the ornamental shields of the old Florentine families, the courtyard of the Bargello.
28 He noted there were two virtues of a book. It is to be read from word to word and line to line, a linear progression that provokes a chain of mental reactions in the reader. But the page is also an image to be seen, allowing an immediate and simultaneous look to run over the page, visualizing the arrangement of images and words. The text read and the text seen are two distinct processes—attention to one excludes the other. Le Corbusier mixes these genres: to look at images, to read texts. He was not only a “man of letters” but a man of the media utilizing every means of expression to make known his work, to express his opinions publicly, to record his experience of modern times— manifestos, expositions, radio, and later television talks, interviews in the press, and cinema.