Mysticism

Download The High Magic of Talismans and Amulets: Tradition and Craft by Claude Lecouteux PDF

By Claude Lecouteux

A entire research of using talismans and amulets within the Western secret culture

• presents an in-depth examine the medieval and Renaissance use of amulets and talismans, together with the paintings of Agrippa, Albertus Magnus, and Athanasius Kircher
• offers a whole precis of the mystical wisdom required to make an amulet or talisman, together with the invocations required to turn on their powers
• experiences other forms of amulets and talismans, from old jewellery and magical gadgets to the trendy rabbit’s foot or fortunate horseshoe

The use of talismans and amulets stretches again approximately to the sunrise of guy, from daily goods magically ready, comparable to horns or cash, to complicated and gorgeous jewellery imbued with protecting powers.

Drawing on his deepest number of medieval manuscripts in addition to his privileged entry to the infrequent booklet data of significant eu universities, Claude Lecouteux presents a finished heritage of using talismans and amulets for defense, therapeutic, and divine effect. He explores their use within the Western secret culture in addition to jap and heart jap ideals approximately those magical items and their incorporation--despite Church anathema--into the Christian culture of Medieval Europe. Reviewing many alternative different types of amulets and talismans used through the a while, comparable to a rabbit’s foot, horseshoe, gris-gris bag, or an inscribed parchment charged via ritual, he info the rules and symbology at the back of every one item and exhibits that their use remains to be as common at the present time as any time long ago.

Lecouteux explains the excessive magic at the back of the airtight paintings of crafting amulets and talismans: the chains of sympathy, astrological geography, and the invocations required to turn on their powers. He explores the paintings of adepts corresponding to Agrippa, Albertus Magnus, and Athanasius Kircher, together with an in-depth examine Kircher’s paintings on planetary seals in his Oedipus Aegyptiacus.

Illustrated all through with interval artwork depicting magical symbols, seals, and a wide range of talismans and amulets, this finished examine presents a pragmatic consultant to the historic improvement and step by step production of magical gadgets.

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Extra info for The High Magic of Talismans and Amulets: Tradition and Craft

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For, as they were weak and tender, there was no door closed to them, as Saint John says in the Apocalypse, iii, 8). And thus He leaves them so completely in the dark that they know not whither to go with their sensible imagination and meditation; for they cannot advance a step in meditation, as they were wont to do afore time, their inward senses being submerged in this night, and left with such dryness that not only do they experience no pleasure and consolation in the spiritual things and good exercises wherein they were wont to find their delights and pleasures, but instead, on the contrary, they find insipidity and bitterness in the said things.

This is a great benefit, and not one of the least that results from this aridity and purgation of the desire, for the soul is purified and cleansed of the imperfections that were clinging to it because of the desires and affections, which of their own accord deaden and darken the soul. 5. There is another very great benefit for the soul in this night, which is that it practices several virtues together, as, for example, patience and longsuffering, which are often called upon in these times of emptiness and aridity, when the soul endures and perseveres in its spiritual exercises without consolation and without pleasure.

This is the first and principal benefit caused by this arid and dark night of contemplation: the knowledge of oneself and of one's misery. For, besides the fact that all the favours which God grants to the soul are habitually granted to them enwrapped in this knowledge, these aridities and this emptiness of the faculties, compared with the abundance which the soul experienced aforetime and the difficulty which it finds in good works, make it recognize its own lowliness and misery, which in the time of its prosperity it was unable to see.

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