By Terry Pratchett
For greater than twenty years, Terry Pratchett has been regaling readers with stories of Discworld--a flat international balanced at the backs of 4 elephants, that are status at the again of a big turtle, flying via house. it's a global populated by means of ineffectual wizards and sharp-as-tacks witches, via drained policemen and devious dictators, by means of reformed thieves and vampires who've sworn to drink no blood. it's a international that's drastically assorted from our personal . . . other than while it isn't.
Now, within the Wit and knowledge of Discworld, numerous nuggets of Pratchett's witty observation and sagacious observations were compiled through Pratchett professional Stephen Briggs, a guy who, they are saying, is familiar with much more approximately Discworld than Terry Pratchett.
inside those pages, you'll locate musings on:
inside adorning: "It's a truth recognized in the course of the universes that regardless of how conscientiously the colours are selected, institutional decor finally ends up as both vomit eco-friendly, unmentionable brown, nicotine yellow, or surgical equipment purple. by way of a few little-understood strategy of sympathetic resonance, corridors painted in these shades regularly odor a little of boiled cabbage--even if no cabbage is ever cooked within the vicinity." (Equal Rites)
shuttle: "Any pro vacationer quickly learns to prevent whatever needed on them as a 'regional speciality,' simply because the entire time period capacity is that the dish is so disagreeable the folks dwelling in all places else will chew off their very own legs instead of devour it. yet hosts nonetheless press it upon far-off site visitors besides: 'Go on, have the dog's head crammed with macerated cabbage and red meat noses--it's a nearby speciality.'" (The final Continent)
younger males: "And then there has been the younger male stroll. a minimum of girls swung simply their hips. younger males swung every little thing, from the shoulders down. you need to attempt to occupy loads of area. It makes you glance higher, like a tomcat fluffing his tail. the men attempted to stroll significant in self-defense opposed to all these different titanic boys available in the market. I'm undesirable, I'm fierce, I'm cool, I'd like a pint of shandy and me mam desires me domestic by means of nine." (Monstrous Regiment)
classification: "'Old money' intended that it were made goodbye in the past that the black deeds that had initially stuffed the coffers have been now traditionally inappropriate. humorous, that; a brigand for a father was once anything you stored quiet approximately, yet a slave-taking pirate for a great-great-great-grandfather used to be whatever to boast of over the port. Time grew to become the evil bastards into rogues, and rogue was once a observe with a twinkle in its eye and not anything to be ashamed of." (Making Money)
. . . and extra! Culled from all of the Discworld novels, The Wit and knowledge of Discworld confirms Pratchett's position within the pantheon of significant satirists and proves why the Chicago Tribune has praised his Discworld as "entertaining and gloriously humorous . . . an accomplishment not anything in need of magical."
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Additional info for The Wit and Wisdom of Discworld (US Edition)
Example text
Paradoxically, it juxtaposes recog nition of the arbitrariness of language with a suggestion that language is motivated by providential intention. Gregory’s wordplay accesses English proper names of Germanic origin — words that, by virtue of their being proper to a language and to a singular identity, are usually considered inac cessible to translation — and then reads them according to the system of another language, the language of the Church. The intention, or the manner of intending of these names, is read across languages.
In fairness, one should note that Van den Broeck has at least in part been influenced by Philip E. Lewis’s ‘The Measure of Translation Effects’ (1985), an argument of a deconstructive nature that leans toward pre scribing what Lewis calls abusive translation. Lewis does not claim to represent Derrida or deconstruction, but works “via some abusive use of snatches of Derrida” (ibid:45), and his special concern is with reducing the inevitable losses incurred in translating the highly playful, polysemous, allusive writing of Derrida.
This articlefocuses on wordplay translation in the German version o f Mary Daly’s American feminist classic ‘Gyn/Ecology ’. It sets both the source text and the translation into the context o f feminist discursive practices o f their time, looks in some detail at the German translator’s options and solutions fo r wordplay translation, and discusses their effects. Résumé. Les écrits féministes des années 1970 ont été considérés dans beaucoup de littératures occidentales comme une produc tion littéraire avant-gardiste ayant un impact politique.